jueves, 12 de mayo de 2016

Copenhagen hailed as most ‘vital’ city in new study



11 May 2016
Copenhagen hailed the most ‘vital’ city as a result of its strong sustainability, cycling and mobility credentials.


The Future Spaces Foundation’s study, Vital Cities: Transport Systems Scorecard, an interactive data hub, awards connectivity ratings to twelve cities across the world.

The research looks at key factors that make cities thrive, for example breathability, bike and foot networks, use of data and apps, ranking each city based on its performance across more than 30 individual measures. Based on a mix of qualitative assessments, such as the strength of electric vehicle policies and hard data, such as the density of transit networks, the scorecard aggregates each individual score to award an overall A-F grade.

The Foundation undertook the research in order to assess how transport infrastructure can facilitate vitality within high density cities; as well as to identify how improved connectivity can allow for sustainable growth for future generations.

The chosen 12 cities were grouped into four categories; Global Cities (London, New York, Hong Kong); Mega Cities (Beijing, Mumbai, Sao Paulo); Green Cities (Copenhagen, Singapore, Vancouver); and Car Cities (Dubai, Houston, Kuala Lumpur).

Whilst no city scored a perfect A+ overall, Copenhagen, with its first-class record for sustainability, safety and mobility, topped the scorecard with an impressive B+ score. Long-term investment and an ability to adapt to the ever-growing consumer demand for real-time information withinnovative data policies helped Global Cities to gain pace with Copenhagen.

In the meantime, Car Cities lagged behind the rest due to their poor efforts to curb car use and promote vehicle-sharing, walking and cycling, all receiving a D or D- grade overall.

As Mega Cities continue to boom, propelled by industrialisation and mass migration from rural areas, low incomes and rapidly rising populations proved to be particular challenges to improving networks and ensuring that basic infrastructure meets demands in these cities.

However, innovative new uses of data and apps to improve connectivity in a cost-effective way are helping these cities to gain pace with global competitors.

viernes, 15 de abril de 2016

Amino Technologies: Media Servers

Amino's vision: The future is all media, all services in the cloud, delivered on-demand to all devices. 
Amino promise: a connected consumer experience delivering advanced video services and smart devices.

Media Servers ("View MS")

Home networking solution for simultaneous streaming of live and recorded video to a multitude of TVs, tablets and smartphones throughout the home -- using any combination of wired and wireless networking.

Combines the features of a media gateway, home network storage and transcoding to enable delivery of multi-stream recording and multi-screen content distribution with maximum flexibility and efficiency.

C5060 hybrid DVB-C Set Top Box  ("View MS")

Combines live TV, multi-tuner recording, on-demand and OTT services in DVB-C cable network environments.  

Provides a migration path towards all IP, leveraging cable and cloud technology strengths. This hybrid DVB-C Set Top Box embodies Amino’s extensive IP delivery experience and expertise and can play a pivotal role in a wider IP Connected Home solution.

System and memory

• Tuners: 4 x DVB-C : multi-room HEVC/AVC streaming to multiple connected devices over an (optional) advanced 802.11ac Wi-Fi.

• CPU: BCM7251S (10.5k DMIPS)
• Memory (RAM): 512MB (1GB option)
• HDD: 512GB (1TB option)
• Boot (NOR): 4MB SPI
• NAND FLASH: 128MB (256MB option)
• Operating system: Linux
Software and Security

• Protocols: DVB-C, RTSP, HLS, DASH
• CA options: Conax, Latens, Verimatrix
• MW options: Amino powered by Zenterio

Interfaces

• Video: Single HDMI 2.0
• Audio: 3.5mm AV jack
Optical S/PDIF
• USB: 1 x USB2.0 + 1 x USB3.0

• Network: RJ-45 (GigE): Receives, stores, transcodes and distributes CA and DRM protected TV and personal digital content across the home network

• Wi-Fi 2×2 DB 802.11ac (option): Enables multiple, simultaneous viewing on devices: TV, tablet, smart-phone and multi-room viewing with the A160 IP client device


• Remote: IR
• Smartcard ISO-7816 or card less

AV Codecs and Performance

Single 4K (HEVC) decode (60fps)
2(3) x HD 1080p(i) decode/PiP
Single transcode (dual with H264)
• Video Codecs: MPEG-2, MPEG-4 AVC, H264, HEVC/H265.
• Audio Codecs: MPEG-1 (Layer I, II), MP3, Dolby Digital (AC3), Dolby Digital Plus (down mix), AAC & AAC-HE

Supports Amino Home Reach – easily add home monitoring and control functionality to the solution with a simple USB dongle to deliver a range of compelling “peace of mind” services. These include in-home Wi-ficameras, movement and door sensors – all accessed by a smartphone or tablet app


Available with Timeshift pause live TV


HTTP Live Streaming (HLS) with trick play and record – delivering a great uninterrupted PVR-like user experience even in high latency networks – enabling the MSOs route into IP video delivery


HTML5 compliant browser – designed to maximize the user experience with web-delivered content

What is DigiCipher 2?

DigiCipher 2 (DCII): proprietary standard format (General Instrument -> Motorola -> Google -> Arrisof digital signal transmission and encryption with MPEG-2/MPEG-4 signal video compression used on many communications satellite television and audio signals 

The DCII standard is incompatible with the DVB standard.

The primary difference between DigiCipher 2 and DVB lies in how each standard handles SI metadata
DigiCipher 2 also extends the MPEG program number that is assigned for each service in a transport stream with the concept of a virtual channel number, whereas the DVB system never defined this type of remapping preferring to use a registry of network identifiers to further differentiate program numbers from those used in other transport streams. 
Also unlike DVB, all text used in descriptors can be compressed using standard Huffman coding which saves on broadcast bandwidth and loading times.
Approximately 70% of newer first-generation digital cable networks in North America use the DigiCipher 2 format. The use of DCII is most prevalent in North American digital cable television set top boxes

Broadcom BCM7251: Ultra-High-Definition TV SoC

System-on-a-Chip (SoC) for multi-HD/UltraHD IP Set-top Boxes (STBs). It integrates the High-Efficiency Video Codec (HEVC), or H.265 standard, which enables more UltraHD content.
It also incorporates Dual Display, a feature that enables presentation of two simultaneous video channels from the same STB via independent HDMI outputs and remote control devices.

FEATURES

  • 28 nm process technology chip 
  • High-performance dual-core Brahma15 10 000 DMIPs ARMv7 processors, 2180p60 or dual 1080p60 decode and transcode capabilities 
  • Integrates high-performance connectivity peripherals, such as USB 3.0, PCIe, Gigabit Ethernet and MoCA 2.0 
  • Latest generation security core offers the highest level of platform security, content protection and DRM robustness
  • Industry-leading support for high-speed DDR3 and DDR4 devices 
  • Dedicated interfaces to a range of Broadcom companion front-end cable, DOCSIS®, satellite and 802.11ac Wi-Fi devices





+info: https://www.broadcom.com/contact/information_request.php



Entone's acquisition by Amino Technologies

Amino (UK) acquires Entone (US) consolidating the pay TV market

Amino Technologies has completed its acquisition of Entone, a provider of hybrid TV and connected home solutions.


“This transformational acquisition broadens our capabilities and market reach globally across IPTV, hybrid broadcast and a range of connected home solutions.” - Donald McGarva, Chief Executive of Amino

Why?: The acquisition gives Amino access to critical markets, including parts of China, Europe, Latin America and the United States.
The combined companies could become a force in the Tier 2 and Tier 3 service provider space.
Both companies have been fine-tuning their hybrid distribution models that allow operators to leverage their connections in the home into a broadband/OTT and pay TV play. 


History: 

This is aligned with their recent acquisition of cloud-TV platform provider Booxmedia as part of Amino's transition to cloud-based IP-driven multiscreen entertainment delivery.

Entone’s investors include Coral Group, Menlo Venture Right and Scale Venture Partners.
Based in Cupertino, Entone has been around since 2000 and has raised some $24 million in funding. It hasn’t been to that well since its Series B round, a $14.5 million infusion, in 2008.

Amino, meanwhile, also today announced unaudited results for the six month period ended May 31, including year-on-year revenue growth of 9% and EBITDA growth of 34%, before exceptional items.
Stay tuned.


- See more at: http://www.ooyala.com/videomind/blog/amino-buys-us-hybrid-tv-player-entone-73m#sthash.XnDrSYE1.dpuf

miércoles, 24 de febrero de 2016

4k STB first in Russia


Russia’s GS Group has provided details of the first digital TV set-top box in the country to support Ultra HD (4k) broadcasting.
Already available to Tricolor TV subscribers, the GS A230 is powered by a new STMicroelectronics microprocessor and co-processor designed by GS Group. It is aimed at the premium market in Russia and supports all the modern Ultra HDTV standards, including HEVC.
Its features include an internal 802.11ac Wi-Fi modem with a data speed of up to 1.75 Gbs, a new standard HDMI 2.0 multimedia interface and an internal 1TB hard disk.
Commenting on the receiver, Andrew Bezrukov, director for strategic marketing, GS Group, said: “As the flagship of the Russian telecommunications industry and the leader in the development and production of consumer electronics in our country, the GS Group holding company provides consumers with the latest TV viewing standards. The launch of such a complex and advanced product as the GS A230 UHD set-top box, completely developed and produced in Russia, demonstrates how competitive Russian producers are in the global market. It’s the next major step towards the GS Group holding company

Everything to Know Before Buying a 4K Television

There are some great deals out there — but do you really need one?

Ultra high-def “4K” TVs. Due to big price drops, 4K TVs are flying off the shelves fast. According to analysts with Trendforce, these ultra high-definition televisions will account for 23% of all TVs sold in 2016.
4K TVs are selling great for a reason — even the cheap ones can look amazing. “It goes beyond just resolution, to providing better color, frame rates, and the specific content that was shot for 4K originally,” says Jeff Park, a senior manager of product marketing and technology evangelism with HDMI Licensing.
But just being able to afford a new 4K isn’t reason enough to buy one. Though more 4K video content is available every day, it still isn’t accessible to everyone, everywhere, and for every viewing need. So, if you’re thinking of buying a 4K television for yourself or a loved one this year, consider these factors first.
Your Television Provider
To watch 4K content on your brand new television — even just the run-of-the-mill local news and network shows — you’ll need to have ultra high-definition service from a television provider. Unfortunately, those don’t actually exist yet.
Comcast, the largest cable provider in the U.S., announced plans to launch a 4K set-top box and offers an app for Samsung’s smart 4K televisions that lets those specific TVs access some ultra high-definition content.
Dish Networks has announced its 4K Joey set-top box, but it currently doesn’t have a release date. Meanwhile, DirecTV offers 4K service, but it requires that subscribers rent the company’s new Genie HD DVR. Right now, its 4K catalog includes — get this — “at least two 4K movies” every week.
While its tempting to ridicule DirecTV for passing this paltry selection off for real 4K service, it’s not exactly the satellite provider’s fault. In order for content to be broadcast in 4K, it had to be filmed at a high enough resolution (or be remastered) to be broadcast in 4K. To date, most television shows and movies have been filmed in high-definition, at best. So really, there’s precious little 4K content to be watched.
Streaming Services (and Streaming Boxes)
One exception to the 4K famine is streaming video services. Produced by deep-pocketed tech companies like Netflix, Amazon, and Google, some new, original streaming video content is produced in 4K. For example, shows like Netflix’s House of Cardsand Amazon’s Transparent are 4K ready.
But just because this content is produced and even streamed in ultra high definition doesn’t mean that your 4K television is able to view it in such detail. Not all 4K televisions are “smart TVs” (meaning they have apps and software able to connect to online streaming services), and not all smart TVs can stream a 4K feed (even though they have the technical ability to display a 4K image).
Instead, your best bet to ensuring that you’re watching the ultra high definition content that you’re expecting is to buy a streaming box that has 4K capabilities. The new Roku 4 is capable of relaying a 4K signal, as is the Amazon Fire TV, TiVo BOLT, and Nvidia Shield Android TV set-top box. Curiously, the new Apple TV, which is one of the hottest video gadgets of the year, lacks 4K capabilities.
Internet Connectivity
If you need to stream your 4K video content over the Internet, you’ll need a considerably fast connectionAccording to Netflix, viewers need “a steady Internet connection speed of 25 megabits per second or higher” to enjoy its 4K content. This is a deliberately worded sentence worth picking apart.
Comcast, the country’s largest broadband provider, currently says 25 megabits per second is “best for 2-3 devices online at the same time” for surfing the web and streaming more than one television show. But if one of those shows is being streamed in 4K, you can forget about doing anything else with that connection. And if you were planning on streaming that 4K show in primetime, when everyone else is streaming television shows, your “steady” 25 megabit Internet service will likely be half that fast.
Realistically, 4K video requires connection speeds of at least 50 megabits per second, if not faster, considering the demands on the overall network once everyone starts streaming video with their ultra high-definition televisions this year. So, if you don’t have a fast Internet connection, a 4K television might be a poor investment for you.
Gaming Consoles and Blu-Rays
So if your cable and Internet can’t get the job done to make a 4K worthwhile, surely gaming consoles and Blu-Ray players can, right? Wrong again.
As powerful as the Xbox One and PS4 gaming consoles are, they are not equipped to run a true 4K signal. Instead, these systems display their games in 1080p, which is one quarter of the resolution of the newer 4K screens. While their games will undoubtedly look great on a 4K television, the hardware is only scratching the surface of what’s possible on the new displays.
Likewise, disc-based content like Blu-Ray movies are typically formatted for high-definition as well — at least, that’s true of the discs that have been stuffed in your closet since you started streaming everything over Netflix. But there is a new standard called UltraHD Blu-Ray or 4K Blu-Ray that does tap into the new televisions’ vast amount of pixels. However, in order to see them in all their eye-popping glory, you’ll have to invest in a new Ultra HD Blu-Ray player.
But this is what progress looks like, says HDMI Licensing’s Park. “Once the content availability expands — and that comes with the release of [Ultra HD] — and there is support of content owners like Hollywood and TV studios, you will see a much quicker adoption of 4K in general,” he says.